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Elektromagnetischer Sommer 2010: Strotter Inst. (Bern)

Live, Strotter Inst. is generating dense sound- and rhythmstructures by using five modified and manipulated lenco-turntables and various cut or scotched records. The music ranges from a low-fi rumble changing into concrete clicks and scrapes, followed by epic drones and multilayered broken beats to fall back into tricky bassmeditations. The anacronistic machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The auditive level surpasses the visual one. Therefore, the optical comprehension of how the sound is generated plays an important role. In spite or probably because of the analogue creation the structures produce a contemporary and accurate athmosphere in space and time. Strotter Inst. prefers to play in the middle of the audience. The installation is set up especially for each room. Except for the PA, Strotter Inst. brings along all the material he uses. The basic structures for every gig are noted. The set is adapted for each rooms conditions and depends upon the uncertain behaviour of the machines. So each live appearence becomes an acoustic original.
www.strotter.org
www.myspace.com/strotterinst
Flo Kaufmann und Strotter Inst. auf Art- TV:
http://www.art-tv.ch/5479-0-soundkuenstler--kaufmann--strotter-inst-.html

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Samstag, 31.07.2010 - 21:00 - 22:30

Elektromagnetischer Sommer 2010: Strotter Inst. (Bern)

Live, Strotter Inst. is generating dense sound- and rhythmstructures by using five modified and manipulated lenco-turntables and various cut or scotched records. The music ranges from a low-fi rumble changing into concrete clicks and scrapes, followed by epic drones and multilayered broken beats to fall back into tricky bassmeditations. The anacronistic machineries have dual roles as objects and as instruments. The first live impact is as installations, then the sounds start to grab the listeners' attention. The auditive level surpasses the visual one. Therefore, the optical comprehension of how the sound is generated plays an important role. In spite or probably because of the analogue creation the structures produce a contemporary and accurate athmosphere in space and time. Strotter Inst. prefers to play in the middle of the audience. The installation is set up especially for each room. Except for the PA, Strotter Inst. brings along all the material he uses. The basic structures for every gig are noted. The set is adapted for each rooms conditions and depends upon the uncertain behaviour of the machines. So each live appearence becomes an acoustic original.
www.strotter.org
www.myspace.com/strotterinst
Flo Kaufmann und Strotter Inst. auf Art- TV:
http://www.art-tv.ch/5479-0-soundkuenstler--kaufmann--strotter-inst-.html

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